How Calculated: Number of children less than 6 years old tested in a given year with blood lead levels of 15 mcg/dL or greater, divided by the number of children less than 6 years old who were tested for lead poisoning in a given year; expressed as cases per 1,000 tested. The numbers in this table include all children tested within a given calendar year, regardless of whether they were tested in previous years with the same or different blood lead levels. While children can receive more than one test during the calendar year, children are only counted once using the highest confirmed blood lead level during the calendar year. If the child does not have a confirmed test in a given year, the child’s blood lead level is based on the highest capillary or unknown test type. This measure differs from the rate of children newly identified with blood lead levels of 15 mcg/dL or greater reported by the Health Department in other publications.
Read more about different measures used by the Health Department for surveillance of childhood lead poisoning.
Source: New York City Healthy Homes Program
The National Jazz Museum in Harlem is Open
After a long pause during COVID, the National Jazz Museum is open. Thursdays, Fridays and Saturdays. Head to their website to grab a timed ticket:
Harlem Rose Garden Concert
A People’s History of Strings
Created by Puerto Rican-American violinist and educator Skye Steele, A People’s History of Strings is an interactive musical and multi-media journey that traces the evolution of fiddles around the world. Starting from the first bowed instruments in Central Asia two thousand years ago, audiences travel through the Middle East, Africa, Europe, Latin America, and back to the USA.
Woven into the narrative is Skye’s own family history of immigration, acculturation, and re-discovery, as reflected in the musical lineage of his grandfather, his mother, and himself.
A People’s History of Strings explores relationships between cultures by exposing the connections between musical traditions that range from jazz and salsa to the classical music of Europe and the Middle East, all while offering a deeper and de-colonized understanding of an instrument we thought we knew so well.
Gilbert Mansour – Middle Eastern and Latin percussion, drum set, vocals.
Mayteana Morales – Latin percussion, vocals.
Michael LaValle – Brazilian percussion, bass, cavaquinho, vocals.
Willerm Delisfort – piano, percussion
Refinancing Workshop from MMPCIA and Chase
Chase/MMPCIAMortgage Refinancing Workshop Thursday, October 14th, 6:30 pm an interactive workshop hosted by the Chase Community Branch Team to learn more about opportunities to refinance your home mortgage. In person (limited space) or via Zoom.
How Calculated: Estimated number of adults aged 18 years and older who reported medically diagnosed asthma with symptoms in the last 12 months, divided by all adults and adjusted for age; expressed as percent.
Source: New York City Community Health Survey (CHS)
Asthma Prevalence – Children ever diagnosed with asthma (ages 0-13 years)
Estimated number of children ages 0-13 years who were ever diagnosed with asthma, divided by all children of the same ages, expressed as a percent.
Source: NYC KIDS Survey
En Foco: Deep Roots
En Foco has a wonderful exhibition of a powerful collection of work from Harlem artists. The exhibit runs until August 19th:
Deep Roots, curated by Lisa Dubois, featuring photographers Samantha Box, Burroughs Lamar, Carmen Lizardo, Richard Louissaint, and Joana Toro, includes visual narratives that poignantly connect the artists with their beloved heritage, past and present. The photo essays explore themes of history, survival, and tradition; depicting the various ways each photographer has retained the customs and culture of their birthplace in their adopted land.
Filmmaker Khalik Allah has a new film – IWOW: I Walk On Water – coming in at a massive 200 minutes.
As with earlier work, Allah returns to Lex/125 and films a hallucinatory portrait of the men and women of the M35, K2, mental illness, and homelessness:
Since 2011, filmmaker and photographer Khalik Allah (Black Mother) has attracted global attention for his radiant portraits of the denizens of 125th and Lexington in East Harlem. In IWOW: I Walk On Water, Allah returns to the intersection as the foundation to explore personal narratives of intimacy, voice, memory, identity and personal transformation. Allah focuses his attention on longtime muse Frenchie, a 60-something schizophrenic, homeless Haitian man. Over the summer of 2019, Allah and Frenchie’s lives became increasingly intertwined—a relationship that Allah documents with radical, spiritual transparency. In parallel, Allah also turns the camera on himself to document a turbulent romantic relationship and grapple with personal notions of spirituality and mortality – all inquiries about which he gathers advice from charismatic confidants including Fab 5 Freddy, members of the Wu-Tang Clan, and, in deeply moving exchanges, his own mother. By questioning universal and personal inward dynamics, IWOW obscures the boundary between conceptual art and memoir. Sometimes painful in its vulnerability, often extremely funny in its candor, and always visually extraordinary, Allah’s one-of-a-kind, intimate epic is a contemporary rethinking of the diary film: Gordon Parks meets Jonas Mekas.