Lydia’s Magic Garden (Park Avenue, east side, between 117/118th Streets has a new crocheted mural:
Project as described by one of the children (Sulaf):
“Our crochet class started in the middle of the nation’s grieving for George Floyd and other innocent victims of racially charged police murders. So when we were deciding what project we should do, the clear choice was to do an homage to the Black Lives Matter movement.
This crochet project consisted of us all crocheting several pieces on our own, with our teacher Carmen Paulino’s expert virtual help. Then we sent our pieces to Carmen, who combined them into a beautiful quilt spelling out “BLM.” The quilt was unveiled at Lydia’s Magic Garden, a local community garden Pono has partnered with for years. Our piece of art will now reside in a beautiful place, spreading awareness about this extremely important issue for years to come.”
Names and ages of children who created the project:
Sulaf Hatab (age 12)
Willa Sullivan (age 11)
Sophie Hurtado (age 12)
Hannah Rivner (age 12)
Info on artist:
Carmen Paulino is a visual artist, who works on providing community art programming in hospitals, community centers, and senior centers in and around New York City. Carmen was raised in El Barrio neighborhood of New York City, where she developed her love for the arts with inspirational murals from around her neighborhood. Carmen has crafted and created many crochet pieces, artwork, and murals, which are displayed in New York City and are inspired by her upbringing in Spanish Harlem.
Info on class:
This class is designed for students to learn, interact, and participate with each other to make fiber art. Children will learn simple knitting and crochet techniques and patterns to make a fiber art piece. They will also have the opportunity to participate in a group project with members of the Pono community to make a crochet mural that will be publicly displayed at Lydia’s Magic Community Garden, Pono’s community garden partner, in Harlem, New York City.
ODETTA, in response to the current paradigm, is excited to introduce a new exhibition space, ODETTA Petite. Replicating the gallery’s original Bushwick venue, Ellen Hackl Fagan and Seth Callander have created a scaled-down space to enable its artists to return to gallery exhibitions. The new space is 9H X 16W x 24L inches. With a touch of humor, Fagan’s channeling a combination of International Style and Wes Anderson, ala Alice in Wonderland.
As we navigate the uncertainties of the pandemic, we can’t help wondering what, if anything, will be normal again. What will be returned and what has been permanently lost? How can we maintain what we love and what does that look like now? These are the questions central to this, our present. This is a moment when the whole world is “at sea.”
Seth Callander’s installation “The Waters We Swim” is a direct response to the feelings of chaos, exacerbated by the lack of clear information, that our entire global society is engulfed in. We’ve all experienced frustration, loss, and confusion, as the months continue to roll on.
Callander’s abstract sculpture fills the Lilliputian gallery floor with a series of three constructions that, at scale, would be about 7 feet tall, 24 feet wide by 30 feet deep.
A visitor to a room the size of the original ODETTA would be surrounded by waves of the blue stained massive work, constructed in aluminum. In its diminutive presentation, his piece is as much a stand-alone site-specific installation as it is a proposal for monumental landscape sculpture.
In the rear of the gallery is a wire maquette titled “After the Wreck”. It is part of series Callander calls “My Father’s Work.” which are reflections of the work of artists from all disciplines that have been his primary influences.
This piece combines the work of sculptor John Chamberlain with Adrienne Rich, who wrote the moving collection of poetry, “Diving into the Wreck”. The piece will be realized in wood, and about 7 feet tall.